〈ZOEA〉安溥 subtitle: 一場collaboration,一次對生活的呼喚 {"name":"tnl_a_p2","type":"general","size":[[640,480],[640,360],[300,250],[1,1]],"mapping":[{"screen":[970,0],"list":[[640,480],[640,360],[1,1]]},{"screen":[336,0],"list":[[300,250],[1,1]]}],"targeting":{"advertising":"0","cabinet":"124997","page_key":"interactive","page_name":"interactive","tag_key":[181097,224959,225512,225514,226219,225999,48227,224958],"tag_name":["安溥","毛蟹","Zoea","Hi-Organic","小蛤力","one one & one","海洋垃圾","牡蠣造音"],"author_key":"tnl","author_name":"TNL 編輯","category_key":"arts-culture","category_name":"藝文","type_key":"interview","type_name":"專訪","channel_key":[],"channel_name":[]}} intro: 不論張懸或安溥,這位從創作歌手逐漸轉變成製作人的她,有3個場景是讓我們印象深刻的。2013年底,在曼徹斯特大學的舞台上,面對中國學生喊著「No politics today」之際,她不慍不火地說著,「活在這個世界上永遠要用一個個體的生命去做所有的思考。」2016年底,她站在立法院會議室的麥克風裏侃侃而談人類自古至今賦予婚姻的定義,直指「法律不可以為偏見服務」也不可以使偏見「直接或間接地產生力量」。2017年初,最後一場公民對談裡,語重心長地坦言,「希望更多人願意開始討論我們怎麼互相傳遞跟交換我們更想要一起知道的知識。」於是我們知道,她與我們是走在同一條路上。因緣際會,在2019年,我們想要用多元的角度探索安溥的身份轉變,進而從詞曲、影像、數位三條線,展現安溥與創作者們間獨立卻又交集的合作歷程。 youtube_id: WJmXWxhOIL4 subhead1: 我們眼中的作品 p1: 這次採訪有好幾個令人印象深刻的點:安溥直言沒那麼喜歡音樂錄影帶、導演SU說孩時記憶裡的板橋猶如日本京都⋯⋯這些生命經驗所醞釀出的驚喜,為這次音樂與影像打下奇妙的合作基礎,安溥、SU各自以獨立的作品,在「不幫對方互相解釋的情況下,卻用不一樣的世界觀,申論同個主題的核心。」混搭著各自生命歷程的變化,細細咀嚼,甚有況味 {"name":"tnl_a_p6_special","type":"general","size":[[640,480],[640,360],[320,480],[300,250],[1,1]],"mapping":[{"screen":[970,0],"list":[[640,480],[640,360],[1,1]]},{"screen":[336,0],"list":[[320,480],[300,250],[1,1]]}],"targeting":{"advertising":"0","cabinet":"124997","page_key":"interactive","page_name":"interactive","tag_key":[181097,224959,225512,225514,226219,225999,48227,224958],"tag_name":["安溥","毛蟹","Zoea","Hi-Organic","小蛤力","one one & one","海洋垃圾","牡蠣造音"],"author_key":"tnl","author_name":"TNL 編輯","category_key":"arts-culture","category_name":"藝文","type_key":"interview","type_name":"專訪","channel_key":[],"channel_name":[]}} link1org: thenewslens link1img: https://image1.thenewslens.com/2019/9/c3o7pp0moyzply6j3zfo9g74g4ypqr.jpg link1text:>身份填不滿的,讓生命本身來乘載:專訪安溥談新生活與新單曲 link1url: https://www.thenewslens.com/article/124451 {"name":"tnl_a_p10","type":"general","size":[[640,480],[640,360],[300,250],[1,1]],"mapping":[{"screen":[970,0],"list":[[640,480],[640,360],[1,1]]},{"screen":[336,0],"list":[[300,250],[1,1]]}],"targeting":{"advertising":"0","cabinet":"124997","page_key":"interactive","page_name":"interactive","tag_key":[181097,224959,225512,225514,226219,225999,48227,224958],"tag_name":["安溥","毛蟹","Zoea","Hi-Organic","小蛤力","one one & one","海洋垃圾","牡蠣造音"],"author_key":"tnl","author_name":"TNL 編輯","category_key":"arts-culture","category_name":"藝文","type_key":"interview","type_name":"專訪","channel_key":[],"channel_name":[]}} link2org: eld link2img: https://image2.thenewslens.com/2019/9/jho5cygxy5tp6ls6dbava09ar95tyb.png link2text:>當城市垃圾成了慾望的象徵,你我都是毛蟹:專訪〈ZOEA〉導演SU link2url: https://everylittled.com/article/124772 subhead2: 意識再延伸與合作 p2: 這場申論創作題,並未在音樂與影像完成就交卷了,在製作過程中,一群人到了海邊開始撿垃圾,成為下一波概念延伸創作的「素材」,這群藝術家用鏡頭說出屬於垃圾的話語,成為人們眼中美透了的「盤中飧」。 link3org: eld link3img: https://tnl-static.s3-ap-northeast-1.amazonaws.com/2019/9/pfsdpnx1k25x839e84bh1hmqriv7v9.jpg link3text:>one one & one專訪即將上線 link3url: subhead3: 數位基因 p3: 小蛤力,對安溥的歌迷們應該不陌生,這個以小學生當人設的機器人聊天室,成了安溥與歌迷之間維繫關係的方式之一。現在,小蛤力長大當了青少年,安溥怎麼看呢? link4org: inside link4img: https://tnl-static.s3-ap-northeast-1.amazonaws.com/2019/9/a9nj7k56gmczm7afb78sqik32s0tl0.png link4text: 將於近期上線 敬請期待 ✍︎ link4url: shareText: 分享此篇數位敘事 shareUrl: https://www.thenewslens.com/interactive/124997 readMoreLink: https://www.thenewslens.com/digital-stories readMoreText: 看看更多的數位敘事 colophon: 製作團隊:Daniel Kao、Lea Yang、Loso Kao Copyright © 2019 TNL MEDIA GROUP :end